Industrial yet striking, the PK 25 chair was originally conceived in the early 1950s by Danish designer Poul Kjaerholm as part of his final graduation project at the School of Applied Arts in Copenhagen.
Rope is wrapped around the stainless steel frame which is bent in one single piece without joints or connections, to produce a unique and surprisingly comfortable seat.
This unusual, yet practical piece, is minimal in design making it a perfect addition for your living space.
Cuberious produces Poul Kjaerholm’s classic PK 25 chair in stainless steel with a unique rope seat and backrest.
Industrial yet striking, the PK 25 chair was originally conceived in the early 1950s by Danish designer Poul Kjaerholm as part of his final graduation project at the School of Applied Arts in Copenhagen.
Rope is wrapped around the stainless steel frame which is bent in one single piece without joints or connections, to produce a unique and surprisingly comfortable seat.
This unusual, yet practical piece, is minimal in design making it a perfect addition for your living space.
Cuberious produces Poul Kjaerholm’s classic PK 25 chair in stainless steel with a unique rope seat and backrest.
Vacuum clean the furniture thoroughly, make sure to use the soft brush attachment (leather scratches easily). Do always move furniture by lifting. Dragging or pushing can damage fixings and affect stability.
Lauded for his distinctive style of furniture design, Poul Kjaerholm was born in Øster Vrå, Denmark in 1929. His pieces are considered to contain a minimalist yet articulate form, all embossed with that signature style that continues to be celebrated worldwide to this day.
With the humble beginning as a cabinetmaker's apprentice with the firm Gronbech in 1948, Kjaerholm went on to forge his design ideology at the Danish School of Arts and Crafts in Copenhagen. Shirking away from the majority of his Scandinavian counterparts, the Dane chose steel as his primary material of choice over wood. "Steel’s constructive potential is not the only thing that interests me, the refraction of light on its surface is an important part of my artistic work.”
Awarded the prestigious Lunning Award and Grand Prize at the Milan Trennali in 1958 and 1960 respectively; Kjaerholm’s designs continue to be included in the permanent collections of the Museum of Modern Art in New York, the Victoria and Albert Museum in London and within numerous other museums across Denmark, Norway, Sweden and Germany.