The table that has everything is often sumptuously set for you, the guest. From the point of view of design and functionality you, the host, have done everything within your power to set the Cyclone dining table, which literally tends to suck in the best company.
The sea and heavens fuse in joyful anticipation at the table’s black hole base, whose sweeping rods spiral upward in a dramatic cyclone effect to join base and table top.
Since its introduction in 1953 the cyclone has raged without interruption, enthusing design lovers all over the world and continuing to knock us off our feet
The table that has everything is often sumptuously set for you, the guest. From the point of view of design and functionality you, the host, have done everything within your power to set the Cyclone dining table, which literally tends to suck in the best company.
The sea and heavens fuse in joyful anticipation at the table’s black hole base, whose sweeping rods spiral upward in a dramatic cyclone effect to join base and table top.
Since its introduction in 1953 the cyclone has raged without interruption, enthusing design lovers all over the world and continuing to knock us off our feet
Isamu Noguchi (17 November 1904 - 30 December 1988) was a popular artist and landscape architect of Japanese-American descent, whose artistic work covers a period of over 60 years.
Mostly known for his sculptures and public projects, Noguchi also created several stage designs for Martha Graham productions as well as a whole set of lamps and small furniture parts for the mass production which partial are still produced and sold today.
While its time with the Herman Miller company around 1948 together with George Nelson, Paul László and Charles Eames he compiled a catalog which still is considered as one of the most influential publications within the range Design and Interior.
Till today his art is vivid all over the world and best to be admired in the Isamu Noguchi Garden Museum in New York City.
Isamu Noguchi (1904-1988)