The clean lines of the Swan Table embody the Scandinavian design principle of minimalism. Its simple, elegant form is functional and adds a modern accent to any interior.
This classic piece, initially designed to accompany the iconic Swan Chair in the lobby of the Radisson SAS Royal Hotel in Copenhagen, conveys the same stylish appeal as when it was first showcased in 1958.
The understated design of the round table top supported by a cross-shaped metal base makes it a versatile addition to any home. The Swan table can stand alone of can be paired with the Swan Chair, as Jacobsen intended, either way it is a fine addition to any room.
Cuberious produces the classic Swan table with a circular top available in walnut, cherry, rosewood or painted white, with a cast aluminium base.
The clean lines of the Swan Table embody the Scandinavian design principle of minimalism. Its simple, elegant form is functional and adds a modern accent to any interior.
This classic piece, initially designed to accompany the iconic Swan Chair in the lobby of the Radisson SAS Royal Hotel in Copenhagen, conveys the same stylish appeal as when it was first showcased in 1958.
The understated design of the round table top supported by a cross-shaped metal base makes it a versatile addition to any home. The Swan table can stand alone of can be paired with the Swan Chair, as Jacobsen intended, either way it is a fine addition to any room.
Cuberious produces the classic Swan table with a circular top available in walnut, cherry, rosewood or painted white, with a cast aluminium base.
A career encapsulated by flirting between controversy and art nouveaux genius, Arne Jacobsen established global infamy by combining modernist ideals with a Nordic love of naturalism. Born in Copenhagen in 1902, Jacobsen secured an education at the Royal Academy of Arts in his homeland, drawing all future inspiration with the study of leading architects and designers of that era.
Despite elements of opposition towards avant-garde principals and idiosyncrasies within his architecture, Jacobsen is most decorated for his work within interior, furniture, textile and porcelain design - praised for a clear styling and the successful combination of form and function. There can be no greater compliment paid than the sheer fact that some of the Dane’s work received classic status during his lifetime, reaching cinematic acclaim with the use of his pieces in Stanley Kubrick’s 2001: A Space Odyssey.
Arne Jacobsen’s use of propelled curves in minimalist fashion earned his furniture countless awards, including the 1968 International Design Award from the American Institute of Interior Designers, the 1967 ID-prize from the Danish Society of Industrial Design and the 1957 Milan XI Triennale in Italy.